Lowry/Duchamp. It is not only the same visual motifs that haunt my artistic practice, but a much older mode of artmaking also seems to have returned. I dreamt that I went to visit a famous artist. The artist lived in a terraced house in Manchester similar to my own home. The artist who opened the door and invited me inside was both L. S. Lowry and Marcel Duchamp, but bore a marked resemblance to the playwright Dennis Potter. The house retained wallpaper from the nineteen sixties and had not been redecorated since. Lowry/Duchamp said he had something important to show me. He pointed to a drawing in graphite that hung above the sofa in the living room. The drawing looked out of place against the mustard and brown geometric patterned wallpaper. The drawing was an astonishingly realistic depiction of a curled up sleeping dog, completely at odds with Lowry’s stick men or Duchamp’s conceptualism. Lowry/Duchamp took the drawing down off the wall and told me to look closer. It then d...
This blog is about the recurring visual motifs that haunt my artistic practice through a naturally occurring process of amplification. Each time I translate a visual motif into a new artwork various memories and associations arise that amplify the visual image. Carl Jung observed that amplification occurs in series of dreams. He developed this into a method of enlarging the dream image through personal and cultural associations in order to understand its meaning.