Denkbilder or thought-images were a writing form utilised by members of the Frankfurt School of critical theory. Probably the most famous denkbild being Walter Benjamins “Angel of History” from section IX of Benjamin’s Theses on the Philosophy of History . It is an image in words, but an image that cannot be rationally explained despite the proliferation of different interpretations. ‘A Klee painting named ‘Angelus Novus’ shows as angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned towards the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence...
This blog is about the recurring visual motifs that haunt my artistic practice through a naturally occurring process of amplification. Each time I translate a visual motif into a new artwork various memories and associations arise that amplify the visual image. Carl Jung observed that amplification occurs in series of dreams. He developed this into a method of enlarging the dream image through personal and cultural associations in order to understand its meaning.