Skip to main content

I Wish I Could Draw.

 

Having not drawn anything for two and a half years I found drawing difficult. It was also very tiring and wasn’t coming naturally. When I was a child, I had how to draw books. I had books on how to draw and paint trees. I am still drawing them. I also had a book on how to draw horses. My favourite book was at my grandparents’ house.

I still have this book, “I Wish I could Draw:” A System of Art Teaching by Natural Methods by Percy V. Bradshaw, published in 1941. Bradshaw was a cartoonist who founded his own art correspondence course, The Press Art School. I remember using it to try and draw an apple. I realised that many of the visual images in this book have returned in different artworks over the years. I also used to copy from images in bird books as I was obsessed with birds. I am still drawing birds.






These days the internet is full of how to draw posts and videos. They seem to be some of the most popular posts and blogs. The problem is, I do not really know how I draw. I often get to a point when I am drawing where I want to give up. The drawing bears no resemblance to the item I am drawing from. If I persevere, usually after smudging the drawing with my finger, I suddenly reach the point where the drawing resembles something.

Sometimes my drawings evolve organically as with the drawing below. It slowly builds up into an image. These are my best drawings; they feel as though they have drawn themselves.  I have often heard this referred to as flow but for me it is a state of waking dreaming. A meditative state in which there is no obvious thinking process. It is as though some other part of oneself takes over and draws for you. I do not always enter this state of mind, and then drawing is a struggle. It’s more about patience, perseverance and a lot of time.






































Comments

Post a Comment

Popular posts from this blog

The Unconscious, the Collective Unconscious and Symbols.

  Jung observed that the idea of the unconscious presented by Carus and von Hartman disappeared without a trace, it then re-emerged in medical psychology. [1] He noted that at first, the unconscious denoted forgotten or repressed contents of the psyche. [2] Jung suggested that it was the study of dreams that allowed psychologists to study the unconscious aspects of conscious events, ‘As a general rule, the unconscious aspect of any event is revealed to us in dreams, where it appears not as a rational thought but as a symbolic image.’ [3] Jung then noted that, ‘It is on such evidence that psychologists assume the existence of an unconscious psyche – though many scientists and philosophers deny its existence. They argue naively that such an assumption implies the existence of two “subjects,” or (to put it in a common phrase) two personalities within the same individual. But that is exactly what it does imply – quite correctly.’ [4] Sigmund Freud, despite being aware of the m...
Post a Comment
Read more

Denkbilder.

  Denkbilder or thought-images were a writing form utilised by members of the Frankfurt School of critical theory. Probably the most famous denkbild being Walter Benjamins “Angel of History” from section IX of Benjamin’s Theses on the Philosophy of History . It is an image in words, but an image that cannot be rationally explained despite the proliferation of different interpretations. ‘A Klee painting named ‘Angelus Novus’ shows as angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned towards the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence...
Post a Comment
Read more

Night Writing: Carl Jung.

  For me, the genius of Carl Jung lay in his willingness to allow dreams to influence his thinking. Jung wrote, ‘I knew no reasons for the assumption that the tricks of consciousness can be extended to the natural processes of the unconscious. On the contrary, daily experience taught me what intense resistance the unconscious opposes to the tendencies of the conscious mind.’ [1]  In dreams, houses often refer to the psyche of the dreamer. Following one such dream about a dwelling Jung developed his theory of the collective unconscious. Jung interpreted the dream as follows, ‘It was plain to me that the house represented a kind of image of the psyche – that is to say, of my own then state of consciousness, with hitherto unconscious additions. Consciousness was represented by the salon. It had an inhabited atmosphere, in spite of its antiquated style, The ground floor stood for the first level of the unconscious. The deeper I went, the more alien and the darker the scene became....
Post a Comment
Read more